GRILLED SAUSAGES W/BROCCOLINI & POTATOES and M. Chapoutier Côtes du Rhône Belleruche Blanc ‘25

This recipe moves outdoor comfort food up a notch, even though its prep and assembly is deceptively simple and direct. And for me it begins with the selection of sausages, and for that we turn to the Alpine Wurst & Meat House of Honesdale, PA. Alpine has been my go-to source for all manner of sausages, mini cocktail franks and such for several years now.  Luckily Alpine is available locally thru the Shop Rite chain in CT; but I have also purchased directly thru their online site. I can’t say enough about the quality of their product range. But two words will suffice: just terrific! For this recipe I put their 4 sausage “variety pack” into play: one each of bratwurst, bauernwurst, weisswurst & krainerwurst.  Trust me, the selection makes the end result sing!

For wine, either a chilled “bistro” white or red will work here.  I selected a Côtes du Rhône Blanc made by one of the Rhône’s preeminent producers: Chapoutier.  Well known for making reference point wines in Hermitage, Chapoutier also produces well-made wines on a modest scale. The Belleruche Blanc had plenty of flavor to stand up to the grilled sausages and sides.  An Alsatian Pinot Gris would do well here, as would a Dry Riesling from Mosel.  On the red side I just tasted an insane Grenache from Navarra, Domaines Lupier ‘El Terroir’ Tinto ’23, that I can highly recommend.

M. Chapoutier Côtes du Rhône Belleruche Blanc ’25 (Rhône, France)
A very attractive and typical white Rhône blend of Roussanne, Viognier, Clairette and Bourboulenc mostly from the right bank of the Rhône with limestone soils.  Bright golden yellow hue with intense and expressive aromas of apricot, fennel and floral scents.  Complex and very elegant. The wine’s roundness is a perfect match for its freshness. And the finish reveals subtle notes of aniseed.

GRILLED SAUSAGES W/BROCCOLINI & POTATOES

Ingredients

Broccolini
1 bunch of broccolini
1 tbsp olive oil
2 garlic cloves minced
½ tsp salt
¼ tsp black pepper
2-3 slices of lemon

Potatoes
2 medium-sized Yukon gold potatoes, cut into wedges
1 tbsp olive oil
1 tbsp Italian seasoning
½ tsp salt
2 garlic cloves
2 bay leaves

Sausages
1 lb Whatever floats your boat
6 ounces of Tanqueray Gin
½ ounce of Noilly Pratt Dry Vermouth
3 Blue Cheese Stuffed Olives
A Goodly amount of Ice

Directions

1. Put gin and vermouth into a glass pitcher, fill with ice, stir vigorously while incanting, “You who know all, thank you for providing us juniper and all the other obscure ingredients responsible for creating this sacred liquid!” Strain into a pre-frozen Martini glass of admirable size.  Skewer the olives on one of those tacky cocktail swords, place in glass. Immediately begin consuming.  Now you can begin the food prep, and the cooking!

2. Preheat Grill to high.

3. Assemble the potatoes. Put the wedges into a small aluminum baking tin, drizzle evenly with olive oil, sprinkle with Italian seasoning, and top with garlic cloves & bay leaves.  Seal the tin with aluminum foil tightly.

4. Assemble broccolini. Put the bunch into a small aluminum baking tin, drizzle evenly with olive oil and toss with minced garlic, salt & pepper and top with lemon slices. Seal the tin with aluminum foil tightly.

5. Place tin with potatoes on grill.  Cook 10 minutes in covered grill.

6. Add tin with broccolini to the grill and cook an additional 10 minutes

7. Check veggies.  Potatoes should be fork tender, and broccolini should be slightly crisp.  Adjust cooking time if necessary. Remove from grill.

8. Put sausages on the grill to heat.  Turn to heat evenly.

9. Plate. Dig in.

sausages et al .jpeg

n.b. I modified this recipe for 2.  But it is easily scalable. The original recipe called for making “foil packets” for the potatoes and broccolini.  Foil packets are a pain in the tail. I find using  aluminum tins infinitely more efficient.  Also, I use pre-cooked sausages which streamlines the cooking process.  If you go the fresh sausage route, then begin cooking the sausages when you put the broccolini on the grill. 

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The Bagel Dialogues

It begins Monday morning.  Sometime between midnight and 2:00am.  I am up to pee, or think, I’m going to pee, and in this interlude to sleep I begin to plot my strategy for “Bagel Wednesday”.  Bagel Wednesday?  I’ll get to that.

Let us return briefly to Monday 1:09am: I won’t do lox and cream cheese on an open-faced bagel.  Ever!  It’s so “Long Island”! Has to be a sandwich. Maybe with capers and a slice of red onion added? Capers? Capers have to be a British thing… non-rhotic speakers who drop their “R’s”… like they do in Long Island. Capers are ok, And so is a slice of ripe tomato. AND, once I acquire the bagels, we have all the fixings!

For many Jews the tradition is to have bagels on Sunday.  In fact at one time it was a tradition that I participated in… bagels along with the Sunday New York Times. For the goyim (Yiddish for anyone else) bagels are a workweek regular.  Something quick to eat on the go (forget the protein shake people who are just a bunch of smarty-pants-in-your-face health weirdos).  Years ago Sandy and I moved bagels to Wednesday because our Sunday mornings are given over to breakfast out at a favorite eatery and then on to grocery shopping for the week.  And besides, bagels are not a restaurant thing.  Bagels, like good Chinese food, are for “in-home” consumption.

Monday 2:16am:  Although I like a good “everything” bagel, I think I’m going to get a plain bagel this time.  Plain & not to be toasted.  When I cut a bagel open and if it doesn’t have the proper fresh feel, then I will have to toast it.  And I don’t like a toasted bagel with lox , cream cheese &c.  If it’s not fresh enough, what is my fall-back?  A bacon, egg and cheese is a good option for a toasted bagel.  But then I have to switch to an everything bagel. Yes, a toasted “everything” bagel is really THE call for a bacon, egg and cheese.  Sandy thinks that a bacon, egg and cheese on a bagel is a cultural travesty.

When I was a kid we didn’t have an “everything” bagel.  The selection was: plain, egg, raisin, pumpernickel, and then, onion, sesame seed, salt, poppy seed and garlic.  The latter five have been combined and morphed into the modern “everything” bagel.  A contemporary invention I do enjoy.  I’d like to think that there is someone out there with a hyphenated name like Pennington-Smythe, who would go to the counter and ask, “I would like an ‘everything’ bagel, but without the poppy seeds and garlic.  Can you do that?”

Monday 3;49am: Nuts! I’m just not interested in the extra prep for a bacon-egg and cheese. I knew this was going to be a problem. I wonder if Dostoyevsky fretted over what type of bagel to eat? What are we to believe when he writes: “I am a sick man. I am a spiteful man. I am an unattractive man.”  This guy could use a good psychiatrist!  Or, a bagel! OR, a psychiatrist WITH a bagel! Wait! I could do a toasted bagel with peanut butter. OR, even better, peanut butter on a toasted raisin cinnamon bagel!  And peanut butter is almost healthy, right? But what happens if the bagel is really fresh?  Am I prepared to lose that freshness to the toaster? Besides, peanut butter edges too close to what a protein shake weirdo might consume!

The history of the bagel is clouded in the fog of time and legend.  Most commonly it traces back to 17th century Kraków, although evidence exists that date it back even further.  And some suggest that the pretzel from Germany, brought to Poland, was the inspiration.  Regardless of the ultimate origin, by the mid-17th century the bagel was a bread staple in Polish Jewish communities.  Simply put:  wheat dough was shaped by hand into a ring, briefly boiled in water, and then baked. The result is a dense, chewy, doughy interior with a browned and sometimes crisp exterior. The name derives from the Yiddish word beygal (בײגל) from the German dialect word beugel, meaning “ring” or “bracelet”. Meaning, when Mr. or Mrs. Pennington-Smythe orders a bagel from Dunkin Donuts they are unwittingly speaking Yiddish. From Poland the bagel made its way to America in the mid-19th century, brought to our shores by Polish immigrants who settled in New York’s Lower East Side.

Tuesday 2:08am: I wish LaBonne’s still offered French Toast bagels.  It’s a great cold weather option.  Toast the bagel, butter it and then put a drizzle of maple syrup on it!  In a pinch I could do that with a raisin bagel, too.  But it’s almost June!  Seasonally it’s all wrong!  Oh, mortal souls! King Henry V before the battle of Agincourt! “Follow your spirit, and upon this charge Cry, God for Harry, England, Saint George and a pumpernickel bagel with cream cheese & chive!”

Tuesday: 5:00am: I have to get up and drive over to Newtown for my swim and I am still conflicted. “Oh, I am fortune’s fool!”

Not all bagels are created equal.  Just as not all pizza is created equal – and remembering that I am from New Haven, AND that has caused some enthusiastic debate (some would say, harsh words) with Sandy, loyal daughter of Brooklyn, as to whether New York pizza surpasses New Haven apizza in quality – I will happily concede that New York bagels reign supreme.  They just do.  That being said, we have a local bakery in Waterbury, Ami’s, that produces a wonderful bagel of prodigious size and faithful to the cooking process; and thankfully the bagels are delivered fresh daily to LaBonne’s here in Woodbury.  As far as bagels from institutional places like Dunkins, they should be avoided at all costs as we do pizza with ham and pineapple.  

Wednesday 12:17am: OK, maybe if I get out of bed at 4:00am I can go and pre-cook bacon before going for my swim.  That way, the nuisance part of a bacon, egg and cheese will be done before heading out for a swim.  And if I swim 2500yds instead of 1000yds it will give LaBonne’s the extra time to get hard rolls out because I’m thinking a toasted hard roll is the way to go.   And I’m thinking the hell with a bagel!      A bacon, egg & cheese on a hard roll is about as American as a breakfast of fried eggs, bacon, ham, baked beans, black pudding, grilled tomatoes, bangers & potatoes.  Never mind, that’s an English thing – but honestly?  Who wants to think about a bagel when there is an English breakfast in your mind?  

Wednesday 4:45am: LaBonne’s opens at 7:00. OK. An “everything”. Regardless of freshness, going in the toaster. Toasted well, then open faced with a slice of American cheese, slice of tomato with a sprinkle of oregano.  Resolved.  And what about next week?

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To Age Wine in Fr Oak, or American Oak?

Many of the wine descriptions that I include in my wine tastings make note of a wine being aged in oak.  And sometimes there is this added detail: French oak or American oak.  For my part, I try to convey that a winemaker’s choice of oak is likened to a chef’s choice of a spice.  And, for example, it’s not just a matter of quantity of pepper to use, but what type of pepper.  Green peppercorn? White peppercorn? And chefs are sensitive to the nuances that each type will bring to the recipe in play.  So, too, the winemaker making a specific choice in oak.

I came across an excellent article delving into the importance of oak choice in producing the wines we love. I am including it below.  Yes, it’s a bit long. Please study it carefully.  I will ask questions at the next tasting you attend.  And you will be graded.

***

 French Oak v. American Oak. Which barrel makes wine taste better?

Oak barrels have been associated with transporting and aging wine for thousands of years, but for all their ubiquity, not all oak is the same. In fact, the choice of barrel, depending on how long a wine is intended to age in it, can have a massive effect on the final character of wine that ends up in the bottle.

Oak trees grow across a wide swath of the planet, but in winemaking, the two most important sources of the wood are France and the United States. There are significant differences between them, and the ways in which they impact the wine in your glass are many and potentially profound.

“Broadly speaking, winemakers often choose American oak for its bold, toasty impact, richness, and sweeter aromatics, while French oak is preferred for its elegant framing of wine, fine tannins, and respect for varietal expression,” says Nicholas Keeler, North American sales manager for Tonnellerie Allary and owner and winemaker for Authentique Wine Cellars, The Corridor, and Leisure wines in Oregon.

“But within those generalizations lies an entire universe of decisions: cooperage house style, forest of origin, grain tightness, stave seasoning duration and microclimate, stave thickness, wood bending techniques, toasting temperature and duration, and more. Every one of those factors leaves a tangible fingerprint on the finished wine.”

Bruce Devlin, winemaker at Ballentine Vineyards in Napa Valley, agrees. “I believe that tight grain and loose grain are where the differences truly commence, with loose grain contributing more tannins and tight grain focusing more on aromatics,” he says. “The forest has a definite impact, as does the cooper.”

Like in grape sourcing, where the wood comes from and the terroir in which it’s grown has an impact on the final product. “Much like grapes, [trees] can also express their terroir,” says Devlin. “We’ve sourced [American] oak from Pennsylvania, Virginia, and Minnesota. Our French oak has come from all over France, from Vosges to Tronçais and Fontainebleau. We also use a little Hungarian oak on Chenin Blanc. I always like to say American oak is big, bold, and brash; French oak is smoother, more subtle, and luxurious in most cases.”

What makes American oak so special?

“When we talk about oak in winemaking, it’s essential to recognize that not all oak is created equal,” says Keeler. “While several species are broadly referred to as ‘American White Oak,’ Quercus alba is by far the most prevalent species used for wine barrels in the United States.” 

That species has a significant economic advantage, says Keeler, noting that it “can be quarter-sawn without risking leakage, allowing coopers to yield nearly twice as many rough staves from a single log compared to French oak.”

That difference in the volume of stave production helps make American-oak barrels generally much less expensive than their French counterparts. And when a winery is aging their reds and whites in dozens or even hundreds of oak barrels each year, the impact on the bottom line can be significant.

American oak also brings a unique set of aromas and flavors to wine, depending on how it’s been toasted or charred. 

“American oak is a denser, looser grained, and heavier wood compared to French oak,” says Laura Oskwarek, winemaker for Silver Oak in Napa Valley. “American oak is less tannic, and the aromatic profiles vary significantly with American oak having higher levels of lactones and vanillin. This has the potential to impart more sweet coconut and vanilla aromas in the wine … We find that American oak contributes a creamy, plusher style to the palate.”

What makes French oak so special?

French oak barrels are typically crafted from two different species of oak, Quercus robur, or English oak,and Quercus petraea, also known as sessile oakUnlike American oak, French staves must be carefully split along the grain in order to ensure they remain liquid-tight. This adds to the cost, which is one reason why French oak barrels tend to be so expensive.

For winemakers who are looking for the character imparted by French oak, there is little to compare. “French oak offers a very different expression,” says Keeler. “Higher tannin content, greater respect for fruit character, and a more structural approach to [aging in the barrel].”

Of course, just like with wine grapes, the microclimate and terroir of where an oak tree has grown will have an impact on its final character. This is why many top cooperages offer barrels crafted from wood sourced from a range of forests.

“In my experience selling barrels and working closely with winemakers, the character of specific forest origins cannot be denied,” says Keeler. “For instance, at Tonnellerie Allary—a cooperage I know intimately—a Chardonnay aged in Vosges oak will show darker notes, whereas the same wine aged in Allier oak will preserve more purity of fruit. Tronçais oak, famed for its fine grain and elegant power, offers a noble richness. Of course, not every winemaker wants or needs to dive that deeply into forest nuance; many prefer to rely on a trusted cooper to deliver a house style aligned with their goals, which is equally valid.”

Ballentine’s Devlin observes that more patience may be required for French oak characteristics to be best integrated into a wine. “French oak arrives swiftly for a brief impact, then requires time to work into and with the wine…[it] has a bit more allure,” he says.

Why a winemaker might choose one over the other

The ultimate character of the wine in your glass is typically a result of the place where the grapes were grown, the ways in which they were farmed, when they were picked, the weather of the vintage, and countless decisions made by the winemaker once the fruit has been harvested. The choice of whether to age a wine in barrel at all—and what type of barrel to use—is one of the final opportunities that a winemaker will have to control the nature of the wine before bottling.

In other words, the choice of barrel is of immense importance.

“There are so many choices a winemaker or producer must make to achieve the style of wine they are trying to create,” says Oskwarek. “The decisions surrounding barrel type are very important. We like American oak because it is a pillar of our brand, and we find that it supports the red fruit expression in our Cabernet Sauvignons while also adding plushness and structure.”

Devlin, on the other hand, focuses more on French oak at Ballentine Vineyards—though he also has a place for the use of American oak. 

“It’s really about wine style,” he says. “What we are doing is using all French oak for the Bordeaux varieties, and we only use minimal amounts of American oak for Zinfandel. Some varieties hold more oak, while others require less, as they stand on their own and lose too much of their character to the oak. American oak … has a big impact; it’s the loud guy in the room making sure you know he’s there. French oak is like the guy at the bar who holds the room without saying a word.”

As with so much else in the world of wine, choosing French or American oak is a remarkably complex decision, and one whose impacts can go a long way toward shaping the very nature of a specific red or white. The benefits of both are clear, albeit significantly different.

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Victoria & Albert’s February 5, 2026

Long before I became directly involved in the wine business, I was smitten with the idea of enjoying specific wines with different foods.  And as a natural extension it only seemed right that different food courses should have designated wines meant to pair with each dish.  Circa 1980 I was treated to a dinner that put this wine in concert with food courses into full play.  The restaurant was Cellar in the Sky. It was the small interior space of Windows on the World that lacked the amazing views — views that stretched from the Azores in this window to Grosse Pointe in that window, but made up for this lack of view with a fabulous prix fixe menu paired with wines.  To begin, Windows’ somm Kevin Zraly picked five wines, and then the Chef de Cuisine created a menu to blend.  It elevated dinner to dinning.  I was on the 107th floor of the World Trade Center’s North Tower, not quite heaven; but in heaven.

Then it became my turn.  In 1999 I entered the business side of wine.  And between 2001 and 2003 I hosted 200+ wine dinners across the State of Connecticut.  I worked with some wonderful chefs & restaurateurs.  I would outline in template what I was looking for in courses, then once the menu was established I set out to pair wines with each of the courses.  I loved the challenge and the joy in selecting a wine that would just sing with a food course.  There is so much, much more than red wine with meat and white wine with fish.  Sometimes I miss it.  But my thinking was that if I didn’t tumble occasionally I wasn’t trying hard enough.

We arrive at Victoria & Albert’s on February 5, 2026. V&A is located in the Grand Floridian Resort in WDW.  It is a 5 Diamond rated Restaurant in the AAA Guide, and a year ago it was awarded a Star from Guide Michelin. Eight courses (nine if you include the bread service) with wine.  I have had the V&A on my “must do” list for my Disney week for the last half dozen years. I’ve had the cost for the dinner fully funded and set aside, but every year when I would plan the restaurants for the week I would pencil in V&A and then have second thoughts and retreat. Was it really worth the steep price tag? After an evening of superior service (including an exceptional harpist), splendid dishes & amazing wines on Feb 5 the answer was provided: Yes, worth every penny. In the Unofficial Guide to Walt Disney World 2026 the thumbnail of V&A concludes, “As long as you are OK with the price, you will never regret a meal here.”

With regard to the wine service, I only had familiarity with two producers: Tramin & Coltibuono. The others?  New territory for me.  Each wine was an exciting journey to wines not known.

With each course in perfect sync, why go thru the exercise of picking a favorite?  I do it because I like to. It makes me think and make a memory imprint.

My favorite pairing was the Tramin Gewürz with the Bluefin Tuna.  First, the Tramin was the best Gewürz I’ve had not named Zind-Humbrecht Grand Cru.  But whereas the strength of Zind can blow you away, what I loved about the Tramin was its pure elegance, the deftness of flavor that simply drifted on the palate.  The wine slid seamlessly to the tuna which was scented with lychee that sealed the deal. Outstanding. 

My favorite wine was the Rioja Reserva.  I have a soft spot for the Tempranillo based wines of Spain. 13 years from harvest, the wine was a pure show pony.  Deep shade, intoxicating scent, deeply flavored, cashmere on palate and lingering flavors that extended to the horizon.

My favorite food course was the toothfish.  That speaks volumes when both venison (my favorite) and waygu beef (miyazaki A-5) are on the menu.  But the toothfish is often referred to as the “waygu of the sea.” Great meat courses are to be expected.  Standout seafood dishes are immediately separated from the herd. Special, special course.

The Menu:

Amuse Bouche: Beef Short Rib, XO Sauce, Egg Yolk; Honeynut, Ibérico, Affinois; Ora King Salmon, Saamjang, Masago
Robert Moncuit “Les Grands Blancs” Grand Cru Côte de Blancs (Champagne, France)
Les Grands Blancs is a Grand Cru Blanc de Blancs is composed of approximately 80% Le Mesnil for tension, chalk-driven freshness, and longevity, and 20% Oger for ripeness, volume, and structural depth. The NV Extra-Brut Les Grands Blancs is a rich, vinous Champagne that shows the more extroverted side of Mesnil. Low dosage brings that out even more. Lemon confit, marzipan dried flowers, spice and chamomile add striking inner sweetness to a wine that balances power with translucent energy. The Grands Blancs is a terrific introduction to these wines. 92pts Vinous

Bluefin Tuna, Lychee, Imperial Gold Osetra
Cantina Tramin Nussbaumer Gewürztraminer ’23 (Trentino-Alto Adige, Italy)
The 2023 Gewürztraminer Nussbaumer opens with a refined blend of tropical green melon, kiwi, split pine and exotic spice. It is silken in feel with cooling acidity and a minty herbal freshness, as citrus-infused pit fruits swirl beneath an air of sweet inner florals. Long and lively, it finishes with a gentle inner tension and a resonance of candied lime. 93pts Vinous

Glacier 51 Toothfish, Lobster, Pernod
Château Simone Palette Blanc ’21 (Provence, France)
Owned by generations of the Rougier family for nearly 200 years, Simone delicately crafts their supernatural Palette Blanc from a sorcerous blend (Clairette, Grenache Blanc, Ugni Blanc, Bourboulenc, Picpoul, Muscat, Sémillon) of ancient raw material and ages it in their hand-dug 16th-century cellar far longer than most. This stunning white seduces yet stays remarkably fresh and lively through the well-meshed palate, showing acacia flower, spiced apple and warm hay notes. There’s a chamomile hint and a slightly honeyed edge to the rich palate, with impressive texture and harmony. This offers the structure and substance to age well, too. Drink now through 2030. 250 cases imported. 93pts Wine Spectator

Dover Sole, Hokkaido Scallop, Hazelnut
Nino Negri Alpi Retiche Ca’ Brione ’21 (Lombardy, Italy)
This superexotic white from the terraces of Valtallina is made from 30% Sauvignon Blanc, 30% Chardonnay, 30% Incrocio Manzoni, 10% Nebbiolo vinified white.  The Sauvignon Blanc and Chardonnay are both partially dried before vinification, giving the wine greater aromatic intensity and richness. The wine has aromas of baked peaches, roasted apples, dried alpine flowers and sweet baking spices. The palate is very lush with grilled pineapple, creamed pear, wild herbs and toasted acacia, finishing with crisp mountain acidity. 91pts Wine Enthusiast

Parisian Gnocchi, Medjool Date, Fontina
Giacomo Borgogno & Figli Langhe Nebbiolo “No Name” ’22 (Piedmont, Italy)
15 years ago Borgogno submitted two Barolo samples made the same way, aged in two separate casks, to the Barolo tasting commission. They approved one cask sample, but not the other. Borgogno was determined to share the rejected wine with the world, a wine denied of a name, hence “No Name.” Delicate yet assertive, this Langhe Nebbiolo opens with aromas of wild red plums, tart cherries, and a bouquet of dark, brooding roses, underscored by savory herbs that evoke the hills of Piedmont. The flavors echo the nose seamlessly, with a vibrant interplay of bright fruit and subtle earthiness. Fine, present tannins gently frame the wine, giving it structure without overwhelming its graceful charm. 92pts Wine Enthusiast; 92pts Wine Spectator

Venison Tenderloin, Cranberry, Juniper
Château des Graviers ’19 (Margaux, Bordeaux)
A blend of 60% Cabernet Sauvignon, 25% Merlot, 5% Cabernet Franc, 4% Malbec, 4% Petit Verdot, and 2% Carmenère. Proprietor Christophe Landryvinifies each variety and each parcel separately, adopting different vinification techniques based on the cépage, and all fermentations occur spontaneously. The wine spends 18 months mostly in 225-liter barriques (25% of which are new), with some 600-liter tonneaux, and the occasional clay jar and concrete hexagon.  Deep, vibrant ruby with a youthful edge. A complex bouquet of taut red fruits—raspberry and cherry—intertwined with earthy undertones reminiscent of river rocks. Delicate floral hints of violet and subtle herbal notes emerge, enriched by a whisper of spice and oak. The wine presents a beautifully balanced profile. There’s a mouthcoating richness that harmonizes with the lively acidity. Flavors of red berries meld with deeper notes of graphite and crushed stone, while the integration of various fermentation techniques adds layers of complexity. The finish is long and elegant, with a mineral edge that lingers, punctuated by refined tannins and a subtle touch of oak.

Miyazaki A-5, Chestnut, Bacon
Bodegas R. Lopez de Heredia Viña Bosconia Reserva ’13 (Rioja, Spain)
A blend of 80% Tempranillo, 15% Garnacha and 5% Graciano & Mazuelo  sourced from El Bosque, a 58-year-old vineyard.  The 2013 Reserva  matured in barrels for five years. Savory berries, preserved plums, iron, orange peel, dry earth, walnut husks, graphite and mussel shells. Full-bodied with depth and excellent structure. Tannins are grippy yet fine-grained and juicy, with a long, bright finish. A select, concentrated vintage. 95pts James Suckling; 93pts Wine Advocate

P’tit Basque, Raspberry, Olive Oil
Badia a Coltibuono Vin Santo del Chianti Classico ’17 (Tuscany, Italy)
The fruit is hand-picked and comes from 17-year-old vines of Monti in Chianti grown specifically for the production of the Vin Santo. Bunches are carefully selected and left to dry in well-ventilated rooms. Fermentation with wild yeast and aging takes place in small oak casks. The wine matures 7 years in cask and oak barriques. Dried fig, orange peel, caramel, walnut and brown butter aromas and flavors grace this racy and elegant Vin Santo. Tangy on the finish, where the caramel, roasted walnut and brown butter accents linger. Trebbiano and Malvasia. Drink now through 2040. 95pts Wine Spectator

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