Calling Dr. Lee

I can’t remember my exact age when I stepped into the Great Dinosaur Hall at Yale’s Peabody Museum. For sure, I was a little kid, and my small size made the Apatosaurus (called a Brontosaurus back then) seem much more impressive. I instantly loved dinosaurs. But at some point my interest went into hibernation, only to be jarred awake when Zachary came of age.

During that three decade block of time there was an explosion of information about dinosaurs that had come out… books galore and excellent specials on TV.

And the popularity of Michael Crichton’s Jurassic Park was the frosting on the cake… it was every kid who loved dinosaurs ultimate fantasy: the possibility of seeing a live sauropod munching on some leaves.

Anyway… it continues to amaze me how much information can be gained by examining fossil records. How extraordinary the talent for looking at a bunch of bones (sorry, fossil remains) embedded in rock and develop an accurate picture of how these creatures lived and died. We know what they ate, how fast they could move, whether they lived in groups and even the manner of death… not the “Great Extinction” (which is a topic of serious debate); but rather that a young Tenontosaurus got culled from the herd and fell victim to a pack of Deinonychus.

The way I got it figured… these Paleontologists are like “Dr. Henry Lee” examining a crime scene (only they don’t get paid as much money). They piece together the clues, reassemble the puzzle ’til they can definitively state, “Colonel Mustard, with the candlestick, in the Billiard Room,” or better put, “Deinonychus, with tooth and claw, near the river bed.”

This studying of “bones” does not end with Paleontology… it goes well beyond the studying of dinosaurs and the great mammals.

Anthropologists, “Henry Lees” of a different stripe, uncover sites long trapped in the earth… sites bearing witness to our early forebears… how they lived and how they died. Perhaps a certain clutch of skeleton remains giving evidence to a horrible disease that overtook a group of people… or perhaps another location that indicated that a fight between competing “peoples” left numbers of dead in a confined area.

I thought about this on my drive into JFK, a route that goes by a sprawling cemetery that was a perfect reflection of its greater neighborhood. It was situated in a highly congested area, an area thick with apartment buildings, businesses and intersecting roads. The cemetery, too, was congested with headstones, monuments and mausoleums… Even the patches of grass seemed congested.

I doubt that life was ever this crowded in the Triassic… or even during our Ice Age.

But in ten thousand years who knows what this patch of Queens will look like. It will probably be leveled to the ground, covered in several feet of earth and debris.

And thinking to that time ahead… what will the inhabitants think when they dig down fifty feet or so into the crust and uncover several acres chock full of marble fragments and the earthly remains of thousands of souls?

Perhaps there will be no written clues remaining… no tablets… no cuneiform… no hieroglyphs… or books to suggest the reason for this “devastation”.

In an age with some much information written and recorded… what would happen if in ten thousand years it was all gone and the only thing left were bones and some spare artifacts? What will the “Dr. Lee” of the Year 12006 surmise from the discovery? Was it disease? Was it lack of food during a migrating pattern? Perhaps a meteor?

And more to the point… more than knowing how we died, will scientists ten thousand years hence, know how we lived? Our laughs and our tears? Will the excitement and challenges of our time be there in the skeletal remains? I hope so.

It’s time to put my pen down… the Captain has announced that we are making our approach, we have to fasten our seat belts and bring trays & seat backs to an upright position.

Burbank airport lay ahead.

Zack and Beth await.

It’s time to get on with living.

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Sushi, Sashimi, Origami & Angling

Josh Ronish is the newest addition to the Bullpen at Grapes. He brings to our number a love of wine (which is a first base issue with us) and a very interesting background that adds to our diversity. If you are interested in that sort of thing… he is part Asian, part French Canadian, part Native American, part Swiss… and a little bit of Endor tossed in for good luck.

He was raised in Schenectady, New York. It had been my home as well for the four years I attended Union College. When I tell folks, “when you smell shit, it’s Schenectady… when you step in it, it’s Troy…” they chuckle. When I mentioned it to Josh his chuckle was the chuckle of sharing… of knowing. Based on that alone, it was easy to give Josh the benefit of the doubt.

And there were other stories. He raced motorcycles and a real bad accident nearly cost him his life. He no longer races motorcycles. He is an accomplished tattoo artist… and evidence of his artistry is on display when he sheds his shirt… he loves single malt whisky. And he loves to fish.

For a man of many interests, it seems that fishing is his passion, maybe even his calling. If there were a First Reform Church of the Tasty Trout, he would be its Minister.

Josh is not on the clock ’til noon… which gives him time to get a couple of hours of fishing in, take home the keepers, clean and cook them… and then bring in his latest recipes to share. At 12:15PM when we tuck into striped bass in a Mediterranean Mushroom Sauce, it’s not only fresh, it’s good beyond belief. It is clear that our Josh also knows his way around the kitchen.

And if he hasn’t had his fill of fishing in the morning, during our 5:00PM – 6:00PM break, he heads over to the Norwalk River, some 150 yards from our front door, and casts his line to see what the River will yield.

His stories of catching fish from that location seemed to strike at credulity. But then came the day when Wally (our Wizard of I.T.) and John (our Proprietor) trailed after Josh, braving the light rain to watch Josh do his stuff.

At the point where the Norwalk River crosses underneath U.S. Route 1, its width is no more that 15 yards, the depth no more than 18″, and the River appears more rock than water.

The stalwart band of outdoorsmen clambered down the steep bank (probably violating some City Ordinance)… Josh to fish, Wally & John to observe. Josh picked his way on the rocks looking for a suitable location to drop his line. His trained eye found a slightly deeper pool, and this pool “spoke to him.” It wasn’t long before he was engaged in a significant battle with a fish of substantial size.

Josh had hooked a good-sized fish nearly 2′ in length. And this fish was decidedly unhappy about being taken out of the water. It flapped about mightily and Josh had difficulty disengaging the hook. His ultimate victory was not without cost… his trousers were splattered with blood from catching his own hook.

By the time I saw the fish back in the Bullpen, it was already gutted and cleaned, ready for planking. I looked in his pail, “Holy Shit, Josh, what the hell is that?” I thought it looked like an ichthyosaur; but kept that observation to myself.

He proceeded to examine the catch more carefully… “it’s a Rainbow Trout… but at this age it’s also known as a ‘Steelhead’.”

I look at Josh and see pride in his eye… proud as a true fisherman would be… proud as someone experienced in the finer points of angling.

The old fisherman who Hemingway wrote of in his exquisite Old Man and the Sea was no “angler”. But he surely would have shared in Josh’s passion and pride.

The Old Man and the Sea was the first book that I read without being required to by the English Department. I picked it up as a result of loving Spencer Tracy’s portrayal of the lead role in the film.

When that huge fish lugged Tracy further out to sea and he had to eat raw fish for nourishment, I watched half in amazement, and half in revulsion.

I guess I have never really shed the revulsion of eating raw fish. Only today, eating raw fish is not confined to poor Cuban fishermen being carried out to sea… it has spread its popularity to affluent citizens who flock to establishments featuring its preparation and service: sushi joints.

This Japanese food form is a culture unto itself. How it is ordered, how it is prepared, how it is served all contribute to the aesthetics and the dinning experience. One thing is for sure… there is no “middle ground” when it comes to sushi… it’s not something that you can just be OK on.

And while I do no like it, there are too many folks I know (and respect) who love it. In fact, I can think of no one who I know besides me (and my Sister & my kids) who do not go “ga ga” over sushi.

I do not lose sleep over this.

In 1980, I can recall going to a party at the Vetrano’s in early November. About sixteen folks were there… and after a post-election straw poll was taken, it turned out that I was the only person who did not vote for Ronald Reagan.

I didn’t like Jimmy Carter (although I voted for him in 1976)… but I would rather have eaten rat poison than vote for Reagan. I had cast my ballot for the Third Party Candidate, John Anderson.

Still it remained that in a room of 16 people, I stood alone. That my friends (including Ellen) treated me like an insane Aunt troubled me not.

And so, too, on Saturday night, in the company of Best Friends Sandy & Gary, enjoying the hospitality of Akasaka on Whalley Ave in New Haven, I could love their company, and at the same time distance myself from the raw fish that they loved and appreciated.

On an intellectual level, I am fascinated by the huge success of sushi (and sashimi… I guess the more “pure” form, served without sticky rice to buffer the taste of the raw fish).

I stand alone in a room filled with sushi and sashimi lovers. It’s OK. Me? I can’t wait for Josh to bring in the results of an excursion to Cove Inlet in Stamford… fish caught, cleaned, cooked… all with loving care.

I stand by my belief that fish should be swimming free in the wild, in an aquarium or cooked in a superb manner.

 

N.B. I couldn’t figure out a way to put origami into this sketch; but I liked the title too much to change it.

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Liquid Art

I think I was 10 when my Mother took me to the Guggenheim Museum for the first time. I don’t remember liking it. Just that it was an art gallery in a descending spiral… imagine a continuing peel of an orange.

Art, like the Opera and the Theatre was something my parents exposed me to at an early age, whether I liked it or not. It was my introduction to culture… to the better things (I thought Mommie Soph’s chicken soup would have sufficed).

I scratch my head and think… life can lead us on a twisted lane… and happily my journey has taken me to the world of wine… to the world of liquid art.

We are having marinated skirt steak tonight. I have selected a Spanish Red from Ribera del Guadiana: Palacio Quemado. The wine is made from the Tempranillo grape and it comes from the tremendous 2001 Vintage.

I have had this wine any number of times and I love it. I love it for its sensuality… put a small amount in your glass. Look at the deep colour. Do not rush. Swirl the wine in the glass. Let it repose. Just look at the hue of the red… look at the “legs”… the rivulets of wine coating the glass.

Swirl the wine again… now go to the bouquet… the wine’s smell (fragrance really)… the elements are well delineated; but focused into a harmonious blend… cherry, cedar & vanilla. The transition to the palate is seamless… flavours matching what we first experienced by nose.

We taste again. More than the flavour, we now notice the texture. How is this done? The wine has a breath taking palate feel… it’s plush, chewy… like “crushed velvet.”

And the rich flavours linger on the palate to a satisfying finish.

Liquid art in the glass.

Winemakers are artists. They have no gender. They have no nationalities… their medium is wine and it is a language that speaks unto itself. For the winemaker the grapes are the colours. And their creativity is a true gift.

The art can be in the blending different varietals, or in the case of a straight varietal (as in the 100% Tempranillo that is used in Palacio Quemado), barrels of wine made from different portions of the vineyard are assembled into the main cuvee… lesser quality barrels directed into secondary blends, or sold off to other producers.

This process of evaluating quality, of making the selection, determining how long to age the wine, this is where the winemaker earns his or her keep. A vintage provides only one shot. Not like a great Chef, for example, who can have an “off night” and come back the next night and “re-invent” themselves — no, a winemaker is not afforded that luxury. There is no second chance, for them. A winemaker has to wait a year to get back into the “kitchen”. The winemaker has to bring the “A” Game… each and every time.

The results of their talent and creativity is on display each year… each year bringing new possibility of greatness, or perhaps its opposite.

The evidence is in the glass. It is there for our examination… it is there for our appreciation.

And by all accounts, the winemaker for Palacio Quemado has acquitted himself admirably. The artistry of the effort is undeniable.

And here’s the plus… I can open another bottle a month down the road and experience the joy of this wine again. The experience will be a bit different, maybe different adjoining food, maybe a different mood; but the artistry will be there.

And so too, the joy.

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Meet Me There

Val would tell me that there was always a good breeze coming in off the water… “It could be hot, monreel hot,” he would say, “it wouldn’t feel hot.” Val was talking about his native Trinidad. Although I have never been there, listening to Val’s descriptions of the beautiful beaches, I could easily imagine the scene… I would think of Cambridge Beaches in Bermuda, or the lagoon in back of the Bagshot House in Barbados… or perhaps to a place of my own invention.

I close my eyes. I see it clearly. Sand so fine, so soft that it seems more like flour than sand. Pale in colour, it reflects the sun’s light; but retains its warmth. The beach pitches down ever so slightly to the water line. And then the slow drop off continues in the water… the sea meanders to a deep depth only on the other side of the coral breakwater some two hundred yards in the distance.

By any standards the sea is warm. It only seems cold in contrast to the air temperature.

No big waves here. The breakwater has put a stop to that.

The water, no more than chest deep, is perfectly clear. And my path to the breakwater traverses a stretch of low sea grass that hits no higher than mid-calf. The soft current moves the grass in a slow rhythm… just enough to alternately startle and tickle. I spot an occasional fish or two “out for a stroll”, I can’t imagine the reason for their visit… maybe the grassy patch in the protected shallows is as much a leisure destination for them as it is for me.

I am not great about fish recognition. But I reckon these drab looking fish at being between 18″ and 24″ in length and would make a tasty meal for me (out of the water), or for a larger predator on the other side of the coral breakwater (in the water). But as I say, these fish were drab in colour and shape, and of no interest to me.

I continue on my way… in no particular hurry. Why would anyone want to hurry with the beautiful sun overhead, blue sky to the horizon & a gentle breeze kissing my cheek?

To the left and right I see no one; but as I near the reef I see two forms pop up to the surface… both wearing simple masks with snorkels. One is a heavyset man, salt and pepper hair and well tanned. With him a younger boy (a son?), dark curly hair, also well tanned.

There is an ease to their movements and interactions. They nod to each other, a few animated gestures, maybe they saw amazing fish in the reef (not drab, but in bright colour). A thumb’s up and then they submerge… like whales slipping below the surface.

In an instant their presence is a memory. Their exploration of the nooks and crannies of the coral reef will be done without intrusion. It will be a private viewing.

I look back to the beach. A lonely strip of sand, a couple of hundred yards away… the lush vegetation, a combination of trees and thick shrubs frame the white sand. Set further back in the opening is a low slung white clapboard building… itself shrouded in bushes and tree.

I look back left and right… a few boats lying at anchor, bobbing gently in the lagoon… perhaps waiting for their fishermen to return.

I turn to the reef, the father and son have not returned to the surface… their visit with the tropical fish continues without interruption or distraction.

Their joy is timeless.

One more look to the water beyond the reef, to the expanse of blue sea… imagining its end… then once more, look to the curl of white sand, to the small white building, nestled in a clutch of trees… Bongo Charlies.

Meet me there.

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