All You Want to Do Is Ride Around Sally… qui ferunt sed nung ad astra

I saw the Cream on Wednesday, October 26 at their MSG concert. That was three months ago and I am still thinking about it. More than the music they played, it was the music that they played that night. Music that returned me to 1968… to the last time I saw them in concert.

Music has the power to do that to us… to return us to a time, to a specific event. You know… what song was playing when you first kissed her… that sort of thing.

My love of music blossomed during my college years at Union. I was lucky to have Jock Conly for a roommate. His taste in music was wonderfully eclectic… rock, of course… but also Wes Montgomery, Ella Fitzgerald, classical stuff… I don’t think there was a musical genre not represented in his album collection (and my guess, if we were in school now… he would have “hip hop” and “rap”, too).

But if I had to select a type of music that was emblematic of our time at Union… it would not be the California sound of the Beach Boys and Jan & Dean, nor the British Invasion of the Beatles and the Stones, nor the folk protest of Dylan and Baez… No, those were all important… but our music was “Motown”.

Go to any Frat party… what music did dance bands play? the Temptations, Otis Redding, Sam & Dave. And on “big concert weekends” what talent came on campus? The Isley Brothers, the Young Rascals (white, sounding Motown)… and Wilson Pickett.

Zack emailed me today that Wilson Pickett… the “Wicked Pickett” moved his game piece to a different part of the playing board.

It saddens me.

Funny how the passing of folks we don’t know can affect us. For all we know Alec Guiness was a perfect shit in “real life”; maybe Johnny Unitas cheated on his taxes or Jerry Garcia didn’t pay his child support. Now I just made this stuff up; but my point — does it really matter? Is it really important that their private lives justify their accomplishments in the public arena?

I know nothing of Wilson Pickett’s personal side, nor do I know the circumstances of his passing.

But this I do know… every time I hear “Mustang Sally” I am propelled back to the beer soaked dance floor of Kappa Alpha… to low light, punctuated by strobes… to the beat of drums, the steady bass and to the strains of “… think you better slow your mustang down.” The tempo of that tune couldn’t be more perfect… fast enough to move the hips and shoulders, slow enough to put you in the mood to make love.

I leave the honor of serious mourning to those who truly knew him.

My mourning is of a different nature. Just a part of getting old I suppose. We all move to other parts of the game board. But somehow there is a part of us that remains “forever young” as long as the benchmarks of our youth are still in play. We lose a Zero Mostel, a Wilt Chamberlain, a Wilson Pickett… we lose a part of our youth.

So forgive me… I mourn the loss of a part of my youth to a time when the “tide was high and the grass green”.

But thru the sadness I can hear the Commodores singing sweetly and I know that Wilson Pickett has joined the august company there on the night shift…

Gonna be some sweet sounds coming down
on the night shift…

I bet you’re singing proud
Oh, I bet you’ll pull a crowd
Gonna be a long night,
It’s gonna be all right
on the night shift…

Oh you found another home,
I know you’re not alone
on the night shift.

 

qui ferunt sed nung ad astra

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12 Things I have Done Since the Colts Were Eliminated From the Play-Offs

1. Went to all 126 Antiques establishments in Woodbury. What a fun hobby! I love junk.

2. Read Silas Marner. Well… I got by page 17 for the first time.

3. Watched Steel Magnolias.

4. Caught a special on the Gardening Channel: “The Reproductive System of the Rose Aphid.”

5. Bought a new dress. I don’t really like it, so I’ll probably return it… but I’m keeping the shoes and the bag.

6. I drove 57MPH in the passing lane of I-95.

7. I was gracious to the asshole at Ash Creek Saloon who likes the Steelers.

8. I joined a Convent. It’s official, I am now the first Jewish cross-dressing Nun.

9. I bought some tofu at a health foods place. Brought it home, put it on the kitchen counter & watched it for a half hour.

10. I ordered a Pink Squirrel.

11. I re-painted my Johnny Unitas bobble head doll.

12. I re-painted my “I Hate The New York Jets” bobble head doll.

If you are so moved, please send your words of sympathy, or cash donations (preferably cash donations… particularly for you beasts who had the Steelers to cover) to the “Colts Support Group” care of Jim Winston. Please be advised that only the portion of your donation not used in purchasing 101 Rye Whisky will be tax deductible.

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In the Kitchen, Post Script to “The Little Boy in the Window”

Sometimes we don’t know what’s goin’ on behind the scenes… what I call “what’s happening in the kitchen.” But I got a quick note from Suzy yesterday… she was responding to my piece, “The Little Boy in the Window”.

She wrote… “your writing style is different in this piece compared to all your other ones. I like it.”

It got me thinking… perhaps it might be fun to share a couple of things that go on in the kitchen.

Much of my writing is flavoured by my personal experiences in growing up. And my subject matter is often triggered by something I have experienced today that in turns triggers a memory… and then it simply a matter of weaving a story, drawing from those memories. The stories are always told in the first person… they are after all, my recollections and expressions of my feelings.

Suzy is right. “The Little Boy in the Window” came from a slightly different angle, although the source for the idea was the same… I got up yesterday morning, and when I hit the air, the cold jolted me… and for whatever reason (God only knows), the memory that flashed in my head was standing in our den on Alston Avenue on a winter’s day and licking the cold glass.

That was it.

I didn’t know if there was really a story there. But I loved the image, the memory.

I decided to describe the image without a story line… just a simple description. I also decided to use the third person… and remove specific personal references… which is why I refer to it as the den, and not our den… why it was his Aunt Bella, and not my Aunt Bella.

I think folks knew that the little boy was me, without having to actually say that. But I wanted to convey, in a small episode, perhaps in a more neutral manner, the way someone experiences both the warmth of the sun and the loneliness of the cold.

I am reminded of Tevye’s Prologue in the Musical Fiddler on a Roof… “A fiddler on the roof. Sounds crazy, no? But in our little village of Anatevka, you might say every one of us is a fiddler on the roof, trying to scratch out a pleasant, simple tune without breaking his neck. It isn’t easy.”

I guess I see things pretty much that way, perched precariously on the roof teetering between the warmth and happiness of home, and the strange chill of solitude.

It isn’t easy to express that balance. But the image that my brain conjured up combined the blend I was looking for.

I was 7 when Paul left the house for Union and 9 when Lynn departed for Western College for Women… but I was not without attention… I didn’t have many friends outside of Ian Gordon who lived next door… but Mommie Soph and Bessie were there all the time… Mom, too… her friends, and then there were the relatives… Mommie Soph’s sisters & Mom’s cousins…

And even with this “Gilbert & Sullivan like” cast of characters, I spent a good deal of time in solitary play… apart from folks, I liked being alone, in many ways I preferred being alone… but my enjoyment in being alone was supported by the warmth of knowing that my family was there… that any sadness that I felt (which was not well defined at that time) would soon be replaced by the laughter of our dinner table.

“The Little Boy in the Window” tried to capture those feelings. The Aunt Bella in the piece, was actually my Great Aunt Bella. She was Mommie Soph’s Sister, and she lived around the corner from us at that time. It was truly a rare day when she did not come over for a visit during the afternoon.

I would not have been alone in anticipating her visit, which for me was always a happy time. Our Bedlington Terrier Baa Baa had an uncanny sense of when she would be coming down the hill… and as I waited at the window, tasting the cold, Baa Baa would have come into the den and curled up on one of the three chairs in the room (we also had a long couch). Baa Baa’s objective was to deny Bella access to one of the chairs.

This is true. In our home, dogs had consideration before guests. And it would be Bella who said that if there was reincarnation, she wanted to come back as a dog in the Winston household.

Well… there you go… a peek into my kitchen.

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The Little Boy in the Window

The room was long and thin with windows that covered three full sides. I guess it could be called a sun room although it was referred to as the denon a winter’s afternoon the path of the sun thru the sky, brought its warming rays and all its glory to that room.

The bare trees that stood before the room would move to the winter wind and created and ever changing sun and shadow pattern in that room.

The boy stood mesmerized… his forehead pressed to the windowpane… to feel the cold against his skin… keeping his face against the glass, he turned slightly to breathe on the window and create a foggy patch, perfect for making a small design. Sort of like carving initials in a tree… but this monogram is fleeting. He watches the initials recede into the cold of the window.

He presses his face to the glass again, to see and hear the limbs bending to the will of the wind… a sharp gust now penetrates the thin pane… and the little boy can not resist tasting the cold, to make it more a part of him.

The cold may fascinate him; but it is the sun that keeps him in the room… that, and to await the sight of his Aunt Bella walking down the hill on Chapel St.

A cold winter’s day would not keep Aunt Bella from making her daily visit. It was something that you could count on… just as you could count on the sun moving thru the sky.

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