My Family

To say that my Mother was a “pack rat” is a major understatement.  It’s been years since our home at 25 Alston Ave was sold.  After the sale of the house, boxes of “stuff” found their way into the homes of those interested parties.  Occasionally I look at the collection of boxes that contain the oddments of our time there, and bear testimony to my Mother’s inability to throw anything out.  This collection of memories has moved from several locations… attics, garages and basements that I have, at one time or another, claimed as a nest.

Not too long ago I visited our basement looking for an appropriate Claret to go with the repast I was preparing when a picture poking out of a box caught my eye.  The box was boldly marked: “from the store room, downstairs.”

The store room refers to a location in the basement of 25 Alston Ave, beyond my Grandmother’s make-shift butcher’s corner, up a couple of steps and nestled below the den on the first floor.  As a child I could spend hours and hours looking thru a mysterious “treasure chest” of family artifacts and ancient pictures.  Pictures and portraits of older friends and family that were as foreign to me as the pickelhaube that I was told my Great Uncle Barney retrieved from the killing fields of Belleau Wood.

The picture that had captured my attention was taken in front of the family home in Auburn, New York.  Paper clipped to the picture, some brief notes yellowed with age about the family members (I can even vaguely recognize my Mother’s distinctive cursive script).   The home was on William St., around the corner from South St. As a side note, #33 South had been home to William Henry Seward.  Seward, Governor of NY, then Senator, Presidential aspirant and then Secretary of State under Abraham Lincoln & Andrew Johnson.  He was responsible for purchasing Alaska from Russia, but of far greater significance, at least to my Brother Paul and me, Seward was a graduate of Union College.

Seated on porch, the left: Martin Knightsbridge, cousin. Prizefighter.  Seated on porch, the right: Fitzhugh Knightsbridge, cousin. Notary Public & barber. Standing on far left: Emile LeFong, born in Alsace, affianced to Faith Hanratty. Asst foreman of Hanratty Merchants & Dry Goods. Next to Emile: Faith Hanratty. Senior at the Auburn Normal School, and voted the Apple Queen at the Auburn Harvest Festival & Pig Roast.  Seated at table, left: Judge Perkins Hanratty, Retired, Trustee of the Second Auburn Bank & Trust, Co-Founder of Auburn’s Chowder & Marching Society, Choir Master of the Genesee Congregational Church, President of Auburn YMCA, Delegate to the National Organization to Promote the Use of Carrier Pigeons, Member of the Planning & Zoning Board’s Ritual Committee, Head of the Auburn Land Trust & Owner of Hanratty Merchants & Dry Goods. Standing behind table: Perkins Hanratty, the Younger, Pigeon Keeper. Seated at table, right: Mother Hanratty, Mother of Judge Perkins Hanratty, Director of Auburn’s Tea & Sympathy Committee, Member of the Corsage Club, Past President of Auburn’s Toast of the Town, Asst Librarian of Auburn Historical Society, Member in Good Standing of the National Association of the Rose, Past President of the Auburn Quilting and Canning Group, Organized the Ladies Auxiliary of the Seward Rod & Gun Club, Member of the DAR, Founder of the Auburn League of Bereaved Women, Previous Winner of William Henry Seward Memorial Turkey Shoot & Piano instructor. Standing behind Mother Hanratty: Alice Hanratty, second wife of Judge Perkins Hanratty. Standing on far right: Ricardo Lazzarati, born in Corsica, dance teacher & friend of Alice Hanratty.

My family — and it does me proud to be part of such a distinguished clan!  Who would have thought it!

You know… on closer inspection, maybe that’s not my Mother’s handwriting.

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So, I had this dream…

Dreams, dreams… they are the wonder of my mind.  A collection of events, places, people and time frame that are roughly sewn into a patch-work quilt of impression.  Lacking a clear beginning or end.  Fact spiced with fiction, or fantasy encasing reality. Or, just alarmingly unreal.  Take your pick.

There are dreams that amuse and give me a degree of joy.  And there are dreams that scare and give me anxiety.  Regardless, it’s a fascinating exercise to see how these dreams relate to what’s current in my life. Ideas that traced a path thru my mind.  What happened today or a couple of days ago.

On Sunday afternoon I finished reading Nechama Tec’s book Defiance.  It’s a book about the Bielski Partisans in Poland during WWII.

I needed a break.  I flipped on the TV and began scanning for a film that would be a good diversion… Lifetime?  That’s the Channel with those drippy movies that Suzy and Sandy could watch two or three in a row!  No thanks.

OK… Shakespeare in Love.  That’s more like it!  One of my favorite films!  “Good sir?  I heard you were a poet… has the poet no words?”  I love it.  Love every line! “This is not a life, Will.  It is a stolen season.”

Another Channel has Titanic. Not a real favorite of mine… although I will always watch the first 20 minutes or so… ‘til the scene in steerage when Jack and Rose dance.  And there are good lines. “That’s one of the good things about Paris: lots of girls willing to take their clothes off.”

And here’s one I haven’t seen for an age!  The Mouse That Roared.  Peter Sellers plays three different roles: Tully Bascombe. Prime Minister Count Rupert of Mountjoy and best of all… The Grand Duchess of Fenwick Gloriana XII.  “There isn’t a more profitable undertaking for any country than to declare war on the United States and be defeated!”

Oh… and something from my present vocation… wine.  Russell Crowe’s A Good Year.  “In France it’s always the landowner who makes the wine, even though he does nothing more than supervise with binoculars from the comfort of his study. No, I enjoy making wine, because this sublime nectar is quite simply incapable of lying. Picked too early, picked too late, it matters not – the wine will always whisper into your mouth with complete, unabashed honesty every time you take a sip.”

The pages of Defiance lurk in my mind, yet each of the films just noted possess many memorable things I so enjoy… actors, settings & lines.  Even the unlikely appearance of Sellers dressed in royal raiment as the Grand Duchess!

And to my dream…

It’s a village that skirts a series of walled vineyards thick with ripe fruit.  The village is mostly deserted.  Doors hanging from hinges.  Shots heard, from deeper in the village, and from the wood beyond the vineyards. Must be partisans.  Behind the crumbled wall of the Clos Leonardo Di Caprio looks left and right, and then casts an eye upward towards the church steeple.  A sniper?  Even in my dream I know that this isn’t real!  This is a movie set!  I can see a boom mike!  A rumble of trucks coming from the wood.  Into the small a vacant square in front of the church, the trucks stop and unload fully armed soldiers.  Shouts. Shots, screams.  Di Caprio considers his next step.  He hears soldiers coming from thru the vineyard rows.  He lifts Gwyneth Paltrow over the wall just as a soldier is about to bring his rifle butt crashing into her skull…

And the director shouts, “DOUBLE!”

New do

Posted in The Ash Creek Bourbon & Conversation Corner | Leave a comment

Déjà Vu, All Over Again: Act II, Scene 2

romeo & juliet

“But, soft! what light through yonder window breaks?

It is the east, and Juliet is the sun.

Arise, fair sun, and kill the envious moon,

Who is already sick and pale with grief,

That thou her maid art far more fair than she:

Be not her maid, since she is envious…”

“Aye me!”

“She speaks:

O, speak again, bright angel! for thou art

As glorious to this night…”

“O Romeo, Romeo! wherefore art thou Romeo?”

“Shall I hear more, or shall I speak at this?”

“What man art thou that thus bescreen’d in night

So stumblest on my counsel?”

 

“By a name
I know not how to tell thee who I am:
My name, dear saint, is hateful to myself,
Because it is an enemy to thee;
Had I it written, I would tear the word.”

“How camest thou hither, tell me, and wherefore?

The orchard walls are high and hard to climb,

And the place death, considering who thou art,

If any of my kinsmen find thee here.”

 

“I have night’s cloak to hide me from their sight;
And but thou love me, let them find me here…”

“I hear some noise within; dear love, adieu!

Anon, good nurse! Sweet Montague, be true.

Stay but a little, I will come again.”

 

“O blessed, blessed night! I am afeard.
Being in night, all this is but a dream,
Too flattering-sweet to be substantial.”

 

“I come, anon –

A thousand times good night”

{Romeo, alarmed by the sound of the approaching Nurse, loses his grip of the balcony wall, and falls backwards to the gorse bush in the garden below.   He passes out, sharp thorns covering his entire body— Romeo awakens}

 

“Me thinks I have seen this scene before.”

 

“Aye me!”

 

“She speaks:
O, speak again, bright angel! for thou art
As glorious to this night…”

 

“O Romeo, Romeo! wherefore art thou Romeo?”

 

“Shall I hear more, or shall I speak at this?”

 

“What man art thou that thus bescreen’d in night
So stumblest on my counsel?”

 

“By a name
I know not how to tell thee who I am…”

“How camest thou hither, tell me, and wherefore?
The orchard walls are high and hard to climb,
And the place death, considering who thou art,
If any of my kinsmen find thee here.”

 

“Not your kinsman, it is the gorse bush I fear.”

 

“I hear some noise within; dear love, adieu!
Anon, good nurse! Sweet Montague, be true.
Stay but a little, I will come again.”

 

“O blessed, blessed night! I am afeard.
Being in night, all this is but a dream,
Or maybe a nightmare.”

 

“I come, anon –

A thousand times good night”

{Romeo, alarmed by the sound of the approaching Nurse, loses his grip of the balcony wall, and falls backwards to the gorse bush in the garden.  He passes out, sharp thorns covering his entire body, even penetrating his cod piece — Romeo awakens}

 

“What pain is this?”

 

“Aye me!”

 

“She speaks:
O, speak again, bright angel!”

 

“O Romeo, Romeo! wherefore art thou Romeo?”

 

“Shall I hear more, or shall I speak at this?”

 

“What man art thou that thus bescreen’d in night
So stumblest on my counsel?”

 

“By a name
I know not how to tell thee who I am…”

“How camest thou hither, tell me, and wherefore?
The orchard walls are high and hard to climb,
And the place death, considering who thou art,
If any of my kinsmen find thee here.”
“Pray wait while a change into a doublet of thicker cloth,

But for your sweet embrace and single kiss

I would endure a bed of thorns,

Still I must vouchsafe my personal parts…”

 

“I hear some noise within; dear love, adieu!
Anon, good nurse! Sweet Montague, be true.
Stay but a little, I will come again.”

 

“O blessed, blessed night! I am afeard.
If the gorse bush claims me again,

I may suffer injury that will prevent me from

Producing progeny.”

 

“I come, anon –

A thousand times good night”

 

{Romeo, alarmed by the sound of the approaching Nurse, loses his grip of the balcony wall, and falls backwards to the gorse bush in the garden below.  Sharp thorns cover his entire body, he tries removing thorns from his manhood; but passes out in pain – Romeo awakens}

 

“Vex the gods!  I own more thorns than the bush!”

 

“Aye me!”

 

“She speaks.”

 

“O Romeo, Romeo! wherefore art thou Romeo?”

 

“Shall I hear more, or shall I speak at this?”

 

“What man art thou that thus bescreen’d in night
So stumblest on my counsel?”

 

“It is but Romeo, is thy nurse nearby?’

“How camest thou hither, tell me, and wherefore?
The orchard walls are high and hard to climb,
And the place death, considering who thou art,
If any of my kinsmen find thee here.”

 

“I have night’s cloak to hide me from their sight;
Although it is of no use should I end up in the gorse bush.

My fair, doth your family own property elsewhere?

Perhaps lacking a garden?

Failing that, perhaps you could move

Your suite to the ground floor?”

 

“I hear some noise within; dear love, adieu!
Anon, good nurse! Sweet Montague, be true.
Stay but a little, I will come again.”

 

“O blessed, blessed night! I am afeard.
Have your Nurse come to me should I fall.

She can attend to my personal parts

As I will be in need of more than one

Form of relief.”

 

“I come, anon –

A thousand times good night”

{Romeo, sneezes once, twice, thrice, loses his grip of the balcony wall, and falls backwards to the gorse bush in the garden below, gripped by the thorns, unable to move, he gives in to tortured sleep – Romeo awakens}

 

“What is the cause of this cursed dream that plagues me?

Maybe an undigested bit of beef,

A blot of mustard, a crumb of cheese,

A fragment of underdone potato?

Who comes?”

 

{Mercutio enters}

 

“Aye, not Capulet, nor kinsman, it is your friend Mercutio”

 

“Alas dear friend, dreams of the lovely Capulet maiden weigh heavy,

Help me shake these apparitions from my eye!”

 

“Perhaps this tale of two Elderly women

Staying at Grossingers will lighten your mind.

One says, ‘The food here is horrible.’

And the other rejoins,

‘And such small portions!’ “

“Hah-Hah! Well played! Let us off to the bawdy house!”

{Laughing, Romeo and Mercutio exit} 

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The Courtship of Reginald & Gwyneth

R: Musca domestica… The adults are about 5-8 mm long. Their thorax is grey with four longitudinal dark lines on the back. The whole body is covered with hair-like projections. The females are slightly larger than the males, and have a much larger space between their compound eyes.

G:  Oooh Reggie, you know so much!

R:  Each female can lay approximately 500 eggs in several batches of about 75 to 150. The female is receptive for mating after 36 hours. The male mounts her from behind to inject sperm.

G:  Oooh, Reggie you’re going to make me blush!

R:  Normally, the female mates only once, storing the sperm to use it repeatedly for laying several sets of eggs. But we rarely partake of Musca domesticas, Gwyneth my pretty catesbeiana!.

G:  I should say!

R:  Now here’s a tasty treat for us… Culiesta longiarelata!    

G:  Oooh, Reggie!  You speak Latin so well!

R:  And can I interest you in a superb Puligny-Montrachet?  It’s a 1er Cru les Pucelles of decent vintage.  I love the hue, a scent of tropical fruit with a slight smoky tinge, breathtaking on palate and a glorious finish and the way it glides into the horizon and forecasts a star-kissed eve!

G:  Oooh, Reggie!

R:  And now a morsel of Rhithrogena germanica.  Prefect with the Puligny!  Gwyneth, my Green Beauty… are you pondering what I’m pondering?

G:  Oooh, Reggie!  If we hop over to the log flume, the whip and the Cyclone and ride them dozens times after all the Rhithrogenas and Puligny?  Won’t we throw up?

R:  Rrrrribbet!

Reginald & Gwyneth

Posted in Ministry of Humor | Leave a comment